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The Iron Horse is the story of the winning of the West through the linking of the Atlantic and Pacific coasts by rail. It contains a powerful theme of historical value as the essence nearly which a romance has been woven that ties the leading characters to the the past of the erection of the in the beginning transcontinental railway.

There are comedy, tragedy and a love theme, Indians and soldiers, hordes of construction gangs, camp followers, both men and women, gamblers and dance hall girls, shooting and riding, a tremendous cattle drive, the fording of a river by a herd of beeves.

John Ford, who directs, puts his story over on the screen with a lot of punch. His handling of the trio of ex-soldiers of the Civil War who as the three musketeers of America battled through the building of the great Union Pacific railroad is exceedingly clever. They lend a touch of comedy as did Ernest Torrence and Tully Marshall in The Covered Wagon.

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Francis Powers, J. Farrell MacDonald and James Welch enact the roles and Ford touches them with just a bit of pathos in the end that makes them stand out as real humans and not as out-and-out buffoons just created for a laugh.

The love interest is carried on by George O’Brien and Madge Bellamy. O’Brien gives a corking performance as the youthful scout and lover and Bellamy shines as his beloved. Kohler’s characterization is a piece of classic work.